Puzzling together photographs, archival images, moving images and texts into various collages, Eleonora Agostini breaks down the layers of performance one by one, revealing the repetitiveness of gestures, habits and adopted mannerisms used in serving clients.
The work is also a commentary on the feminist theory of the “gaze”. The restaurant becomes the space where her mother is both the observer and the observed, where parts of her public behaviour as a waitress bleed into her private behaviour of being an individual, woman, and mother. Through her project, Agostini examines this relationship between the female body and the different social roles it performs in different spaces.
"I can hear the chefs singing"
next: Cristóbal Ascencio