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Foam presents a retrospective of Saul Leiter An Unfinished World
Press release | Amsterdam, November 2024
Foam is proud to present a major retrospective exhibition of the celebrated American artist Saul Leiter (1923–2013). Leiter is seen as one of the most important photographers of the 1950’s in the United States and a pioneer of colour photography. This exhibition brings together over 200 works, consisting of photography, both black-and-white and colour, as well as his abstract paintings. His eclectic oeuvre reveals a practice using shadow, light, and reflections to craft layered compositions.
Footprints, 1950
© Saul Leiter / Saul Leiter Foundation.
Harlem, 1960
© Saul Leiter / Saul Leiter Foundation.
Anne, 1950s
© Saul Leiter / Saul Leiter Foundation.
Untitled, undated
© Saul Leiter / Saul Leiter Foundation.
For nearly sixty years, Leiter photographed daily, capturing everyday moments of New York City life. With various techniques and mediums, and the use of telephoto lenses, Leiter would enhance the painterly quality of his images and transform seemingly mundane street scenes into visual poetry. New York, a symbol of modernity in the 1950s, became the backdrop for Leiter’s aesthetic discoveries.
By shooting in the rain and snow, and using windows and other reflective surfaces, he created abstract images. A red umbrella, a green traffic light, or the yellow flash of a passing taxi add an unexpected play of colour to his photographs. In the 1940s and 1950s, Leiter was virtually the only non-commercial photographer to work in colour. The use of aged or damaged film allowed him to include surprising compositions with shifts in light and colour. Once lost to obscurity, his work was rediscovered in the mid 2010s for its ground-breaking role in the emergence of colour photography.
“Photographs are often treated as important moments, but really they are fragments and souvenirs of an unfinished world.” – Saul Leiter
Leiter was a self-taught photographer whose strong sense of curiosity made him a lifelong student. He maintained his experimental and spontaneous approach throughout his career, which is evident in both his street photography and fashion work.
Upon his death in 2013, Leiter left behind a remarkable collection of approximately 15,000 black-and-white prints, at least 40,000 colour slides, a similar number of black-and-white negatives and over 4000 paintings, only a handful of which have been seen publicly. The exhibition An Unfinished World offers visitors the chance to admire the endless poetry of Saul Leiter’s artistic practice through his paintings, photography and unique view on the world around him.
About the artist
Saul Leiter (1923–2013) began painting and photographing in his teenage years, gaining an early recognition for his paintings. After moving to New York in 1946, he turned to photography as a profession while continuing to paint. His abstract forms and groundbreaking compositions possess a painterly quality that distinguishes them from the works of other photographers of that era. His work significantly contributed to the emergence of what is now known as the New York School of photography.
In 1957, he began working for major publications like Esquire and Harper’s Bazaar, balancing his commercial success with his personal passion for street photography in his Manhattan neighborhood. Leiter's groundbreaking work in colour photography gained widespread acclaim with the release of his first book, Early Color (2006). By the time of his death in 2013, Leiter had achieved international recognition, with his work featured in numerous museum exhibitions and publications worldwide.
An Unfinished World by Saul Leiter can be seen from 23 January 2025 – 23 April 2025 at Foam. Open daily 10am – 6pm, Thurs/Fri 10am – 9am.
Foam
Keizersgracht 609
1017 DS Amsterdam
The Netherlands
+ 31 (0)20 5516500
www.foam.org
Note to editors
For information and visual material please check www.foam.org/press or contact the press office of Foam on +31 (0)20 5516500 / pressoffice@foam.org
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The exhibition is organised in collaboration with Les Rencontres d'Arles and diChroma photography and curated by Anne Morin.