Speciaal voor Museumkaarthouders organiseert Foam drie speciale rondleidingen door de tentoonstelling Structures of Identity - Photography from The Walther Collection.

Met de tentoonstelling <a href="/nl/museum/programma/structures-of-identity">Structures of Identity</a> - <a href="/nl/museum/programma/structures-of-identity">Photography from</a> <a href="/nl/museum/programma/structures-of-identity">The Walther Collection</a> presenteert Foam een selectie fotowerken uit de fameuze collectie van de Walther familie. De tentoonstelling laat zien hoe fotografen uit verschillende perioden en diverse culturen de kracht van het portret gebruikten om stereotype idee&euml;n over gender, ras, status en nationaliteit te bevestigen of juist Structures of Identity toont iconisch werk van&nbsp;fotografen als August Sander, Richard Avedon en J.D. Ojeikere maar ook van hedendaagse fotografen als Yto Barrada, Samuel Fosso, Zanele Muholi en Guy Tillim.
Speciaal voor Museumkaarthouders organiseert Foam op zaterdag 14, 21 en 28 juli en 11, 18 en 25 augustus om 11.00 uur een gratis rondleiding door de tentoonstelling. Aanmelden kan via <a href="/nl/boek-een-bezoek/publiek/rondleiding-structures-of-identity">deze pagina</a>, er is beperkte plek beschikbaar.
De tentoonstelling is een samenwerking tussen The Walther Collection, Neu-Ulm (Duitsland) en New York (VS) en Foam. Foam wordt ondersteund door de BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus en de VandenEnde Foundation.&nbsp;

<div class="sidebar__content">Info rondleiding 
Zaterdag 14, 21, 28 juli 11.00 - 12.00 uur&nbsp; 
Zaterdag 11, 18, 25 augustus 11.00 - 12.00 uur&nbsp; 
DEELNAME gratis, exclusief voor Museumkaarthouders
&nbsp; TAAL Nederlands</div>

Rondleiding Structures of Identity

Guided tour: Structures of Identity

Donderdagavond 28 juni is iedereen van harte welkom voor de publieke opening van twee nieuwe tentoonstellingen: 

STRUCTURES OF IDENTITY - PHOTOGRAPHY FROM THE WALTHER COLLECTION<a href="/nl/museum/programma/structures-of-identity"><img src="https://a.storyblok.com/f/113697/595x738/6996fa805d/rose_fitzgerald_kennedy__hyannisport__massachusetts__september_2__1976_flat595.jpg" alt="" width="595" height="738" /></a> Rose Fitzgerald Kennedy, Hyannisport, Massachusetts, September 2, 1976&nbsp; Photograph by Richard Avedon Copyright &copy; The Richard Avedon Foundation&nbsp;
Structures of Identity laat zien hoe fotografen uit verschillende perioden en diverse culturen de kracht van het portret gebruikten om stereotype idee&euml;n over gender, ras, status en nationaliteit te bevestigen of juist kritisch te onderzoeken. In de tentoonstelling ligt de nadruk op de relatie tussen zelfbeeld en sociale identiteit zoals dat door middel van fotografie is vastgelegd. Iconisch werk van fotografen als August Sander, Richard Avedon en J.D. Ojeikere wordt gecombineerd met dat van hedendaagse fotografen als Yto Barrada, Samuel Fosso, Zanele Muholi en Guy Tillim. Daarnaast zijn er uitzonderlijke historische foto&rsquo;s te zien van onbekende makers.
De tentoonstelling is een samenwerking tussen The Walther Collection, Neu-Ulm (Duitsland) en New York (VS) en Foam.
De tentoonstelling is van 29 juni t/m 29 augustus 2018 te zien in Foam.
<a href="/nl/museum/programma/structures-of-identity">&gt; Lees meer over deze tentoonstelling</a>
FOAM 3H: STELIOS KALLINIKOU - STUDIES IN GEOLOGY<a href="/museum/programme/stelios-kallinikou"><img src="https://a.storyblok.com/f/113697/595x397/e0bfc90b96/water_composition_1_2017_c_kallinikou.jpg" alt="" width="595" height="397" /></a>Water Composition 1, 2017 &copy; Stelios Kallinikou
Foam presenteert met trots de tentoonstelling Foam 3h: Stelios Kallinikou - Studies in Geology.&nbsp;In zijn werk probeert de Cypriotische fotograaf Stelios Kallinikou (Limassol, 1985) altijd weer het concept van nationale identiteit te ontrafelen. Hij cre&euml;ert prachtige, betoverende beelden die diep geworteld zijn in het landschap van Cyprus. Het landschap, als resultaat van menselijk handelen, vormt het uitgangspunt voor zijn gedachten over plaats, tijd, ruimte en geschiedenis &ndash; fundamentele aspecten voor het menselijk zijn.
Deze tentoonstelling wordt mede mogelijk gemaakt door het Gieskes-Strijbis Fonds en de Van Bijleveltstichting.
De tentoonstelling is van 29 juni t/m 2 september 2018 te zien in Foam.
<a href="/museum/programme/stelios-kallinikou">&gt; Lees meer over deze tentoonstelling</a>
Foam wordt ondersteund door de BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus en de VandenEnde Foundation.&nbsp;

<div class="sidebar__content"> publieke opening 
Donderdag 28 Juni 2018 Vanaf 17.30 uur</div>

Publieke opening: Structures of Identity 

Public opening: Structures of Identity

Geniet van een bezoek aan Structures of Identity - Photography from The Walther Collection buiten de reguliere openingstijden van Foam in de laatste week van de tentoonstelling.

Foam verwacht tijdens de laatste dagen nog veel bezoekers en organiseert daarom speciaal voor onze leden Member Hours. De avond voordat de tentoonstelling sluit, kun je de tentoonstelling met werken uit The Artur Walther Collection bekijken en een gratis rondleiding volgen.
Member Hours zijn toegankelijk voor Foam Fans(+), leden van Club Foam, Foam Fund, evenals voor medewerkers van de Corporate Partners van Foam. Op vertoon van je Foampas of je medewerkerspas krijg je toegang tot het museum.
<img src="https://a.storyblok.com/f/113697/595x601/94958f7008/untiteld_1966_19975_c_jd_ojeikere_hairstyles_595px.jpg" alt="" width="595" height="601" /> Untitled [Hairstyle], 1966-75 &copy; J.D. Okhai Ojeikere/ Courtesy The Walther Collection and Galerie Magnin-A, Paris (detail from grid).
OVER DE TENTOONSTELLING Structures of Identity - Photography from The Walther Collection laat zien hoe fotografen uit verschillende perioden en diverse culturen de kracht van het portret gebruikten om stereotype idee&euml;n over gender, ras, status en nationaliteit te bevestigen of juist kritisch te onderzoeken. In de tentoonstelling ligt de nadruk op de relatie tussen zelfbeeld en sociale identiteit zoals dat door middel van fotografie is vastgelegd. <a href="/nl/museum/programma/structures-of-identity">&gt; Lees meer over de tentoonstelling</a>
WORD FOAM MEMBER EN <a href="/nl/over-ons/lidmaatschappen">STEUN FOAM</a> Wil jij ook naar de Member Hours komen, maar ben je nog geen Foam Fan? Wordt dan vandaag nog lid en profiteer gedurende het hele jaar van alle voordelen, zoals gratis workshops, exclusieve previews en, natuurlijk, Member Hours.
De tentoonstelling Structures of Identity is een samenwerking tussen The Walther Collection, Neu-Ulm (Duitsland) en New York (VS) en Foam. Foam wordt ondersteund door de BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus en de VandenEnde Foundation.&nbsp;

<div class="sidebar__content">MEMBER HOURS INFO 
Dinsdag 28 augustus 2018 18.30 - 21.00 uur met rondleidingen</div>

Member Hours Structures of Identity

Leden van Club Foam en Foam Fund kunnen zich aanmelden voor een exclusieve preview van de nieuwe tentoonstellingen.

Foam presenteert eind juni twee nieuwe tentoonstellingen: Structures of Identity &ndash; Photography from The Walther Collection en in Foam 3h toont Stelios Kallinikou (1985, Cyprus) zijn werk. De dag v&oacute;&oacute;r de offici&euml;le opening zal verzamelaar Artur Walther vertellen over zijn collectie en is Stelios aanwezig voor een ontmoeting en kun je beide nieuwe tentoonstellingen voorafgaand aan de publieke opening bewonderen.
<img src="https://a.storyblok.com/f/113697/595x901/8d74051a5e/dikeledi_sibanda_yeoville_johannesburg_2007_c_zanele_muholi_595px.jpg" alt="" width="595" height="901" /> Dikeledi Sibanda, Yeoville, Johannesburg, 2007 &copy; Zanele Muholi / Courtesy The Walther Collection
OVER DE TENTOONSTELLING Structures of Identity - Photography from The Walther Collection laat zien hoe fotografen uit verschillende perioden en diverse culturen de kracht van het portret gebruikten om stereotype idee&euml;n over gender, ras, status en nationaliteit te bevestigen of juist kritisch te onderzoeken. In de tentoonstelling ligt de nadruk op de relatie tussen zelfbeeld en sociale identiteit zoals dat door middel van fotografie is vastgelegd. <a href="/nl/museum/programma/structures-of-identity">&gt; Lees meer over de tentoonstelling</a>
Deze preview is exclusief voor aandeelhouders in Foam Fund en leden van Club Foam en duurt van 18.30 tot 20.30 uur. <a title="Aanmelding preview woensdagavond 27 juni" href="mailto:sophia@foam.org">Meld je</a>&nbsp;aan middels <a title="Aanmelding preview woensdagavond 27 juni " href="mailto:sophia@foam.org">RSVP</a>.
STEUN FOAM ALS LID VAN CLUB FOAM OF FOAM FUND Wil jij ook naar de Member preview komen, maar ben je nog geen lid van Club Foam of Foam Fund? Word dan vandaag nog lid en profiteer gedurende het hele jaar van alle voordelen en een exclusief programma met previews, studiobezoeken en ontmoetingen met fotografen.
<a href="/nl/over-ons/lidmaatschappen/club-foam">&gt; Lees meer over Club Foam</a> <a href="/nl/over-ons/lidmaatschappen/foam-fund">&gt; Lees meer over Foam Fund</a> De tentoonstelling Structures of Identity is een samenwerking tussen The Walther Collection, Neu-Ulm (Duitsland) en New York (VS) en Foam.
Foam wordt ondersteund door de BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus en de VandenEnde Foundation.

<div class="sidebar__content">EVENT INFO 
Woensdag 27 juni 2018 18.30 - 20.30 uur
 AANMELDEN* Via Sophia Velthoven <a href="mailto:sophia@foam.org">sophia@foam.org</a> *aanmelden v&oacute;&oacute;r 22 juni</div>

Member preview Structures of Identity

Met de tentoonstelling Structures of Identity - Photography from The Walther Collection presenteert Foam een selectie fotowerken uit de fameuze collectie.

Structures of Identity laat zien hoe fotografen uit verschillende perioden en diverse culturen de kracht van het portret gebruikten om stereotype idee&euml;n over gender, ras, status en nationaliteit te bevestigen of juist kritisch te onderzoeken. In de tentoonstelling ligt de nadruk op de relatie tussen zelfbeeld en sociale identiteit&nbsp;zoals dat door middel van fotografie is vastgelegd. Iconisch werk van fotografen als August Sander, Richard Avedon en J.D. Ojeikere wordt gecombineerd met dat van hedendaagse fotografen als Yto Barrada, Samuel Fosso, Zanele Muholi en Guy Tillim. Daarnaast zijn er uitzonderlijke historische foto&rsquo;s te zien van onbekende makers.
<img src="https://a.storyblok.com/f/113697/595x298/a64c92c3b2/instalatieshot_structures_of_identity_595x_298.jpg" alt="" width="595" height="298" />Installation shot, 2018 &copy; Christian van der Kooy OVER THE WALTHER COLLECTION The Walther Collection is een kunststichting die zich inzet voor een beter begrip van historische en hedendaagse fotografie en verwante media. Via een programma van internationale tentoonstellingen, een zorgvuldig verzamelbeleid, origineel onderzoek en wetenschappelijke publicaties wil The Walther Collection de aandacht vestigen op het maatschappelijk belang van fotografie en de geschiedenis van het medium uitbreiden. Bezoek Structures of Identity - Photography from The Walther Collection, andere tentoonstellingen en <a href="/nl/museum/programma/voor-leden">events</a> als <a href="/nl/over-ons/lidmaatschappen">Foam Member.</a>
De tentoonstelling is een samenwerking tussen The Walther Collection, Neu-Ulm (Duitsland) en New York (VS) en Foam. Foam wordt ondersteund door de BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus en de VandenEnde Foundation.&nbsp;

<div class="sidebar__content">FotoBaas 
<img src="/userfiles/logos/foamie4.jpg" alt="" width="180" height="123" /></div>

<div class="sidebar__content"> Randprogramma 
&nbsp;
Outside/In: Lisa Konno Donderdag 16 augustus 18.30 - 20.00 uur
<a title="Lees meer" href="/nl/museum/programma/outside-in-lisa-konno">&gt; Lees meer</a>
 Rondleiding Zaterdag 14, 21, 28 juli Zaterdag 11, 18, 25 augustus 11.00 - 12.00 uur
<a href="/nl/museum/programma/rondleiding-structures-of-identity">&gt; Lees meer</a> Inloopworkshop Elke zondag 14.00 - 16.00 uur
<a href="/nl/museum/programma/inloopworkshop-structures-of-identity">&gt; Lees meer</a> Bezoek en Workshop&nbsp;in NGT Zondag 22 juli en 19 augustus 13.30 - 15.00 uur
<a href="/nl/museum/programma/bezoek-en-workshop-in-ngt">&gt; Lees meer</a></div>

Structures of Identity

André Ramos-Woodard

, André Ramos-Woodard addresses the widespread anti-Black racism deeply rooted in American society. The work centres around the idea that to heal from the harm and pain caused by this, it's essential to acknowledge its history.

Critiquing the media's portrayal of Black individuals through stereotypical imagery, Ramos-Woodard takes a unique approach. He recreates illustrations of Black people, found throughout the history of cartooning, and blends them with his own photographs that celebrate Black identity, inspired by his personal experiences. 

Drawing from his lifelong love of comic books and anime, Ramos-Woodard seamlessly combines photography and illustration, creating a visual language that unites contrasting realities. Through this approach, he confronts the audience with the long-lasting effects of racial hierarchies, using the familiar and funny aspects of cartoons to turn them into a tool to advocate for change.

Authenticity (2 CHAINZ), 2022, from the series BLACK SNAFU

My people have had to cry, scream, and fight for respect for centuries, and we still have not gained what we deserve.

Trophies, 2020, from the series BLACK SNAFU

Buds, 2020, from the series BLACK SNAFU

BLACK SNAFU

Drawing Mickey in Melodrama

Coonin' and bafoonin', 2023, from the series BLACK SNAFU

Niggas at the park, 2021, from the series BLACK SNAFU

Hate monger, 2022, from the series BLACK SNAFU

United States education system, 2022, from the series BLACK SNAFU

To move past the damage [anti-Blackness] has done to our society, we can’t simply deny our history—we must recognize it.

BL!NG, 2020, from the series BLACK SNAFU

Zooted, 2020, from the series BLACK SNAFU

Dine Dine Khasiya Paribe

 is a visual folktale, following the tunes of local songs from the Rajbanshi community in Assam and Bengal, India. Historically, this community has continuously been mis-identified and culturally erased through the crushing weight of colonial bureaucracy. The series documents Akshay Mahajan’s journey in search for what ‘identity’ truly is.

Growing up in Mumbai as a child of the Indian partition, without any knowledge of his own heritage, Akshay Mahajan attempted to construct a new identity: not by birth, but through love. Folksongs, sung by his wife, drew him to north-eastern India, to the Rajbanshi people—bringing back to live a cultural tradition on the brink of obscurity. 

The resulting works are an intuitive and associative exploration about the meaning of ‘identity’. The use of the collaging technique refers to the constructed nature of identity, as something that is continually challenged and reassembled. Mahajan explains: “We are all people of clay, our identities constantly changing, not chained by the borders we have inherited.”

Listen to "Dine Dine Khasiya Paribe" by clicking the play button at the bottom of the exhibition.

From the series People of Clay

Akshay Mahajan

In 1947, when the British left India after 89 years of colonial rule, the land was divided into two countries: Pakistan and India. Known as the Partition of India, this enforced and hastily drawn line sparked a violent mass migration of fifteen million people, changing the course of history on the subcontinent for generations to come.  

, Aaryan Sinha documented his journey across five Indian states bordering with Pakistan. The photographs capture his travels in an intuitive and poetic way, and together investigate how historical events, like the partition, influence the Indian landscape and the identity of its people, including his own. 

At the core of the project lies Aaryan’s attempt to depict a version of India that is truer to his experience, one of similarity and connection, rather than division and opposition. Through this, his project also exposes the relationship between photography and colonialism—aiming to revoke the stereotypical perception of a poor, overpopulated nation held by many in the West. 

In a Sandstone Mine

A Dream from Childhood

Portrait of Time

From the series This Isn't Divide and Conquer

Stillness

Scars Run Deep

Escape

Reinforcement

Aaryan Sinha

Kardeşlik from the series Turunç

 in 2020. Using photography printed on transparent fabric  as the medium, the artwork is displayed at 250 x 203 cm.

Evimde from the series Turunç

more artworks

visible in

 (Bitter Orange) records the daily lives of young men with a Turkish background in the suburbs of Paris and Berlin. Solène Gün, herself a child of Turkish immigrants and raised in a Parisian suburb, captures the fraternity and strong mutual solidarity that can also go hand in hand with a lack of perspective.

The work is named after an orange commonly found in Turkey. The fruit is a metaphor for the bittersweet existence of a community that is frequently the target of negative stereotyping. Torn between the conflicting urge to hide and the wish to be heard, these men are portrayed faceless. Gün’s focus is on the symbols and gestures through which their identities are expressed, such as a necklace, a prayer rug or the silhouette of a brotherly handshake.

Evimde from the series Turunç

 in 2020. Using photography printed on satin paper as the medium, the artwork is displayed at 110 x 90 cm.

. Through this image, the symbol of fraternity is placed at the forefront in order to escape the stereotypes people may have on suburbs and young from the Turkish community.

Kardeşlik from the series Turunç

selected artists

Welcome to Talent 2024-2025 – the digital exhibition.

Here, Foam proudly presents 20 selected Talents in their very own online universe. Out of a dazzling 2,480 submissions, this final curation of exceptional work defines the new horizons of the medium of photography, thematically and technically. Highlighting the connections, this interactive network brings all Talents together and maps out their distinct artistic viewpoints.

Spanning across the globe, the stories told by these artists reflect a universal yearning for belonging—a profound desire to anchor, to establish a connection with the past and carve out a sense of place. A driving force underpinning their work is the quest to trace heritage, untangle family lines, and explore personal identity.

Acknowledging the constructed nature of history, memory, or even their own thoughts, these artists boldly confront existing narratives. They embark on a journey of unlearning, challenging established stories, and turn to the expansive nature of photography to build new understandings and narratives, resonating more authentically with their lived experiences.

Noteworthy in their approach is the harmonious balance between tradition and innovation. The artists seamlessly blend traditional photographic techniques with cutting-edge developments, including the much-discussed realm of artificial intelligence, and other mediums such as moving image, embroidery and music. 

Select one of the filters to zoom in on these different techniques and mediums.

This digital exhibition presents the work in a truly multi-medial way, inviting you to 

about Foam Talent Digital

artists shaping the future of photography

Foam is supported by the VriendenLoterij, Foam Members, the VandenEnde Foundation and the City of Amsterdam.

The Foam Talent programme and the annual Talent Issue of Foam Magazine are supported by:

Overview

Felipe Romero Beltrán - Dialect, 2024

Over de prijs

Selectie criteria

Winnaar Foam Paul Huf Award 2024

Hiền Hoàng

Under an Ideology, part of Asia Bistro - Made in Rice, digital image, 2020

Jury 2024

Hoàng gebruikt symboliek uit eetculturen en onconventionele materialen om de stereotypen die in westerse verhalen over Aziatische cultuur bestaan te adresseren.

Meest recente tentoonstellingen

Eerdere winnaars

Over Paul Huf

Foam Talent Call

Foam 3h

terug naar het overzicht

Meer talentinitiatieven

Foam Paul Huf Award

 in 2018. Using inkjet print as the medium, the artwork is displayed at 103 x 127 cm.

Untitled (Two Girls Embrace), 2018

Foam is supported by the VriendenLoterij, Foam Members, De Brauw Blackstone Westbroek, the VandenEnde Foundation and the City of Amsterdam.

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds

Tyler Mitchell’s work visualises a black utopia. Making use of candy colour palettes and natural light, Mitchell captures young black people in gardens, parks or in front of idyllic studio backdrops where they appear as free, expressive, effortless, sensitive and proud. The utopia that Mitchell creates, makes one realise how highly it contrasts with the way reality is represented. He produces holistic imagery of individuals from his community and brings their humanity to the forefront.

Untitled (Two Girls Embrace), 2018 from the series I Can Make You Feel Good

Untitled (Two Girls Embrace)

 in 2018. Using inkjet print as the medium, the artwork is displayed at 150 x 210 cm.

Boys of Walthamstow, 2018

Boys of Walthamstow, 2018 from the series I Can Make You Feel Good

Boys of Walthamstow

Created by Nerhol (Yoshihisa Tanaka & Ryuta Iida) in 2015. Using stacked inkjet print as the medium, the artwork is a sculpture displayed at 23 x 20 x 4,5 cm.

w Face, 23 March, Tokyo, Japan, 2015

Nerhol (Yoshihisa Tanaka & Ryuta Iida), 2015

Nerhol is a collaboration between graphic designer Yoshihisa Tanaka and sculptor Ryuta Iida since 2007. Together they explore the concept of the photographic image. Traditionally, a photograph presents a depiction of a person’s three-dimensional face on a flat plane. The work 

, however, is a time-lapse portrait consisting of numerous photographs taken over a three-minute period, a process which captures each and every small, involuntary movement of the subject. Subsequently, Nerhol meticulously scoops out and carves the faces in their photographs, combining a layering of the multiple images with reductive carving. By merging many images into a single picture, the artists unveil the small, ever-present alterations within a photograph. In an ingenious way, the duo questions the genre of photographic portraiture and photography as a snapshot of 'reality': every single, minimal movement can already produce a different representation of the sitter.

w Face, 23 March, Tokyo, Japan

 between 2008 - 2014. Using inkjet print on semi-glossy paper as the medium, the artwork is displayed at 190 x 150 cm.

Untitled from the series Bible, 2008-2014

more from the series

 expresses the complexity of the lives of her friends and lovers struggling with issues of gender identity, several of whom have already undergone gender reassignment surgery. Okabe juxtaposes images of underground Tokyo nightlife and the emotional quakes of her and her friends with the destruction wrought by the heavy earthquake and the subsequent tsunami in 2011. Both Okabe’s loved ones and their surroundings are connected in their struggle to overcome the long and difficult struggle out of their traumatic past, in order to (re)construct an identity for themselves.

Untitled from the series Bible 3

Untitled from the series Bible 2

Untitled from the series Bible 1

Lilac from the series Flamboya

 series. Using C-print on  as the medium, the artwork is displayed at 80 x 65 cm.

Codex from the series Parasomnia, 2010

 shows a young Kenyan man standing in a white shirt with a pink book on his head. He's looking up, but his face is not visible. The photograph is part of the 

 series, which for a large part consists of portraits of young Africans in Zambia, Kenya, and Tanzania. They were often constructed as part of an intuitive collaboration with the subject. Remarkably, it is often impossible to see the subject’s expression: the face and parts of the body tend to be wrapped within a shadow, turning away from the viewer or only display the lower half of the body. This makes it hard to identify with the subject in the photo. The (in)ability to properly register a person’s identity, the limitations preventing the viewer from forming an accurate picture, and the role of photography are recurring themes in Sassen’s work. She plays an intriguing game with perception, undermining our assumptions and stereotypes.

Codex from the series Parasomnia

 series. Using inkjet print on archival paper as the main medium, the artwork is displayed at 100x80 cm.

Lilac shows a loving entanglement, in which two models appear to merge as one with their intertwined limbs. The photograph is part of the 

Foam Collection

Mariage á Loèche-les-Bains (Marriage in Leukerbad), from the series Ekaterina, 2012-16

Current Study #3, 2013

#14 from the series Sun Set, 2011

Maldoror #6, 2014

Bouquet V, 2008

The Crossroads from the series My Life in the Bush of Ghosts, 2014

Cosmic Chakra, 2016

Pat Blake for Vogue NY 1954

Deborah, from the series Week– End, 2009

Collection

Mooncake, Foam Café, Amsterdam

Spread from Chinees-Indisch Stickeralbum

Cahier for Benjamin Li's In Search of Perfect Orange - Chinese Version

Chinese versie

Liz Johnson Artur - of life of love of sex of movement of hope, 2021

In Search of Perfect Orange. About the work of Benjamin Li

See, through you, from the filmstrip series 36 Serendipities, 2021

Untitled, 2023

There are fairies by the lake, from the filmstrip series 36 Serendipities, 2021

Portrait with goats from the series Motherlands – three faithful things, 2021

Young Human. An interview with ShuShu Sieberns

Smile

Installation view 'Maktub' by MAryam Touzani in Foam Talent 2024-2025

What does it mean to use your teeth to find your family history? Born and raised in the Netherlands, MAryam Touzani examines her own teeth to come closer to her family and to find out whether her family truly existed.

identity

Rondleiding Structures of Identity

Publieke opening: Structures of Identity

Member Hours Structures of Identity

Member preview Structures of Identity

Structures of Identity

André Ramos-Woodard

Akshay Mahajan

Aaryan Sinha

Evimde from the series Turunç

Kardeşlik from the series Turunç

Overview

Foam Paul Huf Award

Untitled (Two Girls Embrace), 2018 from the series I Can Make You Feel Good

Boys of Walthamstow, 2018 from the series I Can Make You Feel Good

w Face, 23 March, Tokyo, Japan

Untitled from the series Bible

Untitled from the series Bible

Untitled from the series Bible

Codex from the series Parasomnia

Lilac from the series Flamboya

Collection

In Search of Perfect Orange
About the work of Benjamin Li

Young Human
An interview with ShuShu Sieberns

Foam Talks about Ara Güler, iconic images, and photo archives, with Claartje van Dijk and Tuana Pulak

identity

Rondleiding Structures of Identity

Publieke opening: Structures of Identity

Member Hours Structures of Identity

Member preview Structures of Identity

Structures of Identity

André Ramos-Woodard

Akshay Mahajan

Aaryan Sinha

Evimde from the series Turunç

Kardeşlik from the series Turunç

Overview

Foam Paul Huf Award

Untitled (Two Girls Embrace), 2018 from the series I Can Make You Feel Good

Boys of Walthamstow, 2018 from the series I Can Make You Feel Good

w Face, 23 March, Tokyo, Japan

Untitled from the series Bible

Untitled from the series Bible

Untitled from the series Bible

Codex from the series Parasomnia

Lilac from the series Flamboya

Collection

In Search of Perfect OrangeAbout the work of Benjamin Li

Young HumanAn interview with ShuShu Sieberns

Foam Talks about Ara Güler, iconic images, and photo archives, with Claartje van Dijk and Tuana Pulak

In Search of Perfect Orange
About the work of Benjamin Li

Young Human
An interview with ShuShu Sieberns