Lartigue’s legacy encompasses a total of 117,577 black-and-white negatives and colour transparencies, and nearly 40 per cent of his work is in colour. His colour photography began with autochrome images in his youth, and in the 1950s he started using Ektachrome film. The impressive collection spans nearly the entire 20th century, from the first photo he took in 1902 as an eight-year-old boy, to the final image taken in 1986 at the age of 92. He could capture fleeting moments of happiness like no other. Lartigue’s oeuvre offers a light and cheerful perspective on life in France in the early 20th century.

_{Bibi au Restaurant d'Eden Roc Cap d'Antibes, 1920 1965 Photographie J. H. Lartigue © Ministère de la Culture - France / AAJHL}

Lartigue was one of those unique people who was able to hold on to his childlike freshness, curiosity and wonder throughout his entire life. Colour and innocence went hand-in-hand for him. Photography was a way to escape his own contemporary time, so that his images have a limitlessly modern character. Lartigue unintentionally created an oeuvre in both colour and black-and-white. Most of the photos on show at Foam come from his albums, where he collected photos telling the story of his life, like an encyclopaedia. For Lartigue, who viewed himself more as a painter than a photographer, colour was mainly a way to unite the two art forms. He was regularly heard to loudly proclaim, ‘I view everything through the eyes of an artist.’

The exhibition has been conceived and produced by the Association des Amis de Jacques Henri Lartigue, Ministère de la Culture, France, known as the Donation Jacques Henri Lartigue, in collaboration with diChroma photography, Madrid.

ABOUT JACQUES HENRI LARTIGUE
Lartigue began photographing at the age of six, and continued until his death in 1986, having taken some 100,000 photos. He recorded his life, his loves and passions with infectious enthusiasm. At first it was games and family outings that drew his attention. He quickly evolved a fascination for the depiction of speed. As a teenager he developed this interest further and used improved technology to photograph numerous car races, the flights of the first aviators and sports competitions. As a young man he turned his camera on the beautifully dressed women who promenaded on the Bois-de-Boulogne and at society events. Ever the curious amateur, Lartigue experimented with all kinds of photographic methods, most especially with stereo photography.

Lartigue occasionally sold photos to the press and exhibited work at a presentation in Paris alongside photos by major figures such as Man Ray and Brassaï (1955). Yet his reputation as photographer was not established until at the age of 69 his work appeared in a retrospective at MoMA, in New York. Worldwide fame followed three years later with the publication of his books The Family Album (1966) and Diary of a Century (1970), the last one compiled by Richard Avedon. In his final years Lartigue was much in demand as a photographer for fashion magazines.

Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Delta Lloyd, Olympus and the VandenEnde Foundation.